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Wyniki wyszukiwania dla frazy "a ja hause", znaleziono 7

Ale każda z nas, jak tu stoimy, każda jedna wie, że kiedy kokon zaczyna pękać, kiedy przez szczeliny istnienia wpada upragniony powiew, a ty nabierasz haust powietrza, to nic nie jest już jak przedtem. Nic nie będzie.
Książki zawsze były moim schronieniem, ramionami, w których chowałam się, gdy wszystko szło nie tak. Sięgnięcie po jedną z nich z półki, otwarcie i spojrzenie na pierwszą stronę jest jak przyjemny haust świeżego powietrza po upływie wieczności bez możności oddychania. Są antidotum na smutek, zmartwienie, strach, a nawet złamane serce.
Francis Crozier now understood that the most desirable and erotic thing a woman could wear were the many modest layers such as Sophia Cracroft wore to dinner in the governor's house, enough silken fabric to conceal the lines of her body, allowing a man to concentrate on the exciting loveliness of her wit.
(...) wyszedł przed dom, westchnął, wciągnął mroźne powietrze, wokół była pełnia nocy tak granatowej, że nawet śnieg był ciemnoniebieski, niebo wygwieżdżone, góry zamarznięte, haust powietrza działający jak szklanka spirytusu - rzadkie momenty, gdy człowiek wie, dlaczego mieszka w górach, a nawet po co w ogóle żyje - po to, by przejść parę kroków po skrzypiącym śniegu, by zadrzeć głowę i poszukać Gwiazdy Polarnej i by na sekundę nie myśleć, że za sekundę koniec.
,,Pisanie o wojnie, też sobie fuchę wymyśliłeś, chcesz się dowiedzieć jednej rzeczy, a dowiadujesz się innej, zupełnie innej, i potem już nie możesz zamknąć oczu, krew zamarza, w ustach tak sucho, że haust wody znika, nim zdążysz go przełknąć, a oddech cuchnie gorzej niż tupi jad. Czasem strach prowadził cię na tak dziki azymut, że musiałeś przystawać, gapiąc się na oszalałą igłę. Co tam Vietcong, tu nawet drzewa chciały Cię zabić, trawa słoniowa miała mordercze skłonności, w glebie czaiła się złośliwa inteligencja, to była jedna wielka rzeźnia. A mimo to, jak pomyśleć, gdzie byłeś i co przytrafiało się tylu innym, strach wydawał się przywilejem".
Editors are inundated with submissions, and every editor comes into work each day to find a new stack of manuscripts and proposals. They are all looking out for books in their area of interest or expertise, and they are trying to avoid books that are too similar to something else the house has recently bought or published, as well as books by fanatics, lunatics, and terrible writers. Barry, Sam (2010-05-18). Write That Book Already!: The Tough Love You Need To Get Published Now (p. 95). F+W Media, Inc Kindle Edition.
(...) I share almost ninety-nine per cent of my genes with a chimpanzee - and our longevity is virtually the same - but I don't think you have an inkling of how much more I comprehend, and yet I know I must tear myself away from it. For example, I have a good grasp of just how infinitely great outer space is and how it's divided into galaxies and clusters of galaxies, spirals and lone stars, and that there are healthy stars and febrile red giants, white dwarfs and neutron stars, planets ans asteroids. I know everything about the sun and moon, about the evolution of life on earth, about the Pharaohs and the Chinese dynasties, the countries of the world and their peoples as presently constituted, not to mention all the studying I've done on plants and animals, canals and lakes, rivers and mountain passes. Without even a pause for thought I can tell you the names of several hundred cities, I can tell you the names of nearly all the countries in the world, and I know the approximate populations of every one. I have a knowledge of the historical background of the different cultures, their religion and mythology, and to a certain extent also the history of their languages, in particular etymological relationships, especially within the Indo-European family of languages, but I can certainly reel off a goodly number of expressions from the Semitic language too, and the same from Chinese and Japanese, not to mention all the topographical and personal names I know. In addition, I'm acquainted with several hundred individuals personally, and just from my own small country I could, at the drop of a hat, supply you with several thousand names of loving fellow countrymen whom I know something about - fairly extensive biographical knowledge in some cases. And I needn't confine myself to Norwegians, we're living more and more in a global village, and soon the village square will cover the entire galaxy. On another level, there are all the people I'm genuinely fond of, although it isn't just people one gets attached to, but places as well: just think of the all the places I know like the back of my hand, and where I can tell if someone's gone chopped down a bush or moved a stone. Then there are books, especially all those that have taught me so much about the biosphere and outer space, but also literary works, and through them all the imaginary people whose lives I've come to know and who, at times, have meant a great deal to me. And then I couldn't live without music, and I'm very eclectic, everything from folk music and Renaissance music to Schonberg and Penderecki, but I have to admit, and this has a bearing on the very perspective we're trying to gain, I have to admit to having a particular penchant for romantic music, and this, don't forget, can also be found amongst the works of Bach and Gluck, not to mention Albinoni. But romantic music has existed in every age, and even Plato warned against it because he believed that melancholy could actually weaken the state, and it's patently clear when you get to Puccini and Mahler that music has become a direct expression of what I'm trying to get you to comprehend, that life is too short and that the way human beings are fashioned means they must take leave of far too much. If you've heard Mahler's Abschied from Das Lied von the Erde you'll know what I mean. Hopefully you'll have understood that it's the farewell itself I'm referring to, the actual leave- taking, and that this takes place in the self-same organ where everything I'm saying goodbye to is stored.
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